Christoph Cox is Professor of Philosophy at Hampshire College and a faculty member at the Center for Curatorial Studies (CCS), Bard College. Cox is the author of Sonic Flux: Sound, Art, and Metaphysics (University of Chicago Press, 2018) and Nietzsche: Naturalism and Interpretation (University of California Press, 1999), and co-editor of Realism Materialism Art (Sternberg, 2015) and Audio Culture: Readings in Modern Music (Bloomsbury, 2017/Continuum, 2004). The recipient of an Arts Writers Grant from Creative Capital/Warhol Foundation, Cox is editor-at-large for Cabinet magazine. His writing has appeared in October, Artforum, the Journal of the History of Philosophy, The Wire, the Journal of Visual Culture, Organised Sound, International Studies in Philosophy, The Review of Metaphysics, and elsewhere. He has curated exhibitions at the Contemporary Arts Museum Houston, The Kitchen and The Artist's Institute in New York City, New Langton Arts in San Francisco, G Fine Art Gallery in Washington D.C., and elsewhere. Cox has written catalog essays for exhibitions at the Whitney Museum of American Art, the Museum of Modern Art, Mass MoCA, the South London Gallery, Berlin's Akademie der K√ľnste, the Museum of Contemporary Photography, the Oslo Kunstforening, and other venues.